There are so many nice flat response headphones, I don't think more is necessary. Like some folks here, I don't see too much value in enhancement technologies for headphones. I've been meaning to ping Waves and ask, but have been too busy.
Waves nx headtracker software#
The head tracker software keeps popping up however, and it seems that there's a way to turn it off, but I haven't had immediate success. i think you can but would like some real world experience !!You can run the software by itself. Still would ove to know if you can run the Software Alone. It made the process less tiring for the ears. With too much low-end spacialisation also (at least that's My point of view).īut NX is good when you have to write and compose on headphones. And I ended with a mix with a lot of low-end content that ruins a bit the dynamic of My mix. I've tried (it was a test don't blame me) to mix with it from Start to finish. But I guess it could also be that it's not a good match for my headphones (Philips Fidelio X2)?Well it doesn't fit to My headphones too. I'm a bit disappointed that I bought this plugin, but at least I bought it when it was 50% off so it's not that bad. I'm using it without that webcam tracking thing. The result doesn't sound good in my headphones at least. It just doesn't sound like monitors in a room to me (I've measured my head and put in those values in the head modeling section), and so far my mixes doesn't turn out so well using NX (and no, I'm not blaming the plugin for that). In January 2016, Waves successfully launched the first product in the Nx family – the Nx Virtual Mix Room plugin, a “virtual monitoring” tool that recreates on headphones the ideal acoustics of a high-end mix room, allowing audio professionals to make better mixing and recording decisions on headphones.I have the same experience with Waves NX. Waves Nx tracks the actual movements of the user’s head, rendering the slightest nuances that create a real, dynamic and variable sensory experience – appropriately positioning the audio in the left and right headphones to simulate movement through a three-dimensional audio space. One of the ways it does this is by tracking the user’s head position and positioning the sound in the user’s headphones to match the way the user would hear it in the real world. Waves Nx bridges the gap by recreating, on headphones, the same auditory cues that reach our ears in the real world. The perception of sound over headphones is a completely different experience. It combines the interactions between acoustic sound waves and a room or space, the interaction between the sound waves and the physical movement of our head and ears, the reaction of our middle and inner ear and the audio nerve, and finally our brain’s cognition and interpretation of the acoustic landscape. The perception of spatial sound is a complex phenomenon.
For over two decades, Waves Audio has pioneered the development of psychoacoustic signal processing algorithms that leverage cutting-edge knowledge of human hearing and perception in order to radically improve perceived sound quality. Waves Audio is the recipient of a Technical GRAMMY Award and the world-leading developer of audio DSP technologies. Now Waves is reaching out to the audio community to get involved via a Kickstarter campaign beginning June 22. According to Waves Audio, the possibilities are endless, and that’s why the company decided to put significant R&D emphasis on Nx to further develop the technology. With Waves Nx, music, movies and games are heard on a new dimension of immersive 3D reality, using any headphones.
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